Tribute To Crespo, Former Most Expensive Footballer In The World

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When Hernan Crespo moved from Parma to Lazio on July 13, 2000, he became the world’s most expensive footballer. 


However, Crespo was worth every penny and is just as much an icon of the game.



Crespo joined a side which had won the league the previous season and which groaned with the weight of talent at its disposal. His big-name team-mates included Pavel Nedved, Diego Simeone, Alessandro Nesta, Fabrizio Ravanelli, Marcelo Salas and Juan Sebastian Veron, to name but a few.


While he had suffered intermittently with injury during his second year in Rome, the whippy, nippy Argentine had still managed 20 goals in all competitions, this after a debut campaign in which he had found the net 28 times.

With 26 of those coming in the league, that had been enough to secure his status as Serie A’s top scorer.


In a league famed for its defensive excellence, that was no mean feat.


 But Crespo could score goals any which way, from glancing headers and poacher’s efforts to glorious half-volleys and off-the-shoulder strikes.

What was always most impressive about Crespo was his sublime technique, his ability to turn a bobbling lay-off into two swift touches and a curving finish.


Combine that with eagle-eyed vision and a mathematical brain for angles, and the result was a goalscorer who could change almost any game.


A disjointed period


It was Inter who would snap him up during the fire sale of players at Lazio, and Inter with whom he would have his best years from then onwards.


That said, his career was somewhat disjointed from the time he arrived at the San Siro in August 2002.

Injuries limited him to only 18 appearances in the league that season, and while he was still relatively prolific it was a difficult campaign for him.

He then became one of the first marquee signings of the Roman Abramovic era at Chelsea, enticed to London by Claudio Ranieri, a man who knew Serie A well enough to realise that Crespo had what it took to conquer the Premier League.


But Crespo’s spell at Chelsea was a strange one, and didn’t quite work out how either he or Ranieri had hoped.


After a bitty first season again disrupted by fitness issues, Ranieri was sacked, Jose Mourinho installed and Crespo judged surplus to requirements before being sent out to AC Milan on loan.


He would win the Supercoppa again that term, but his time with the Rossoneri is most famous for his brace in the Champions League final, a game which they would go on to lose to Liverpool after a miraculous second-half comeback.


As such, Crespo had a starring role in the ‘Miracle of Istanbul’, even if that match is now remembered more for Steven Gerrard, Vladimir Smicer and Xabi Alonso scoring an improbable trio of goals.


Chelsea cult hero

Crespo’s career could have been tainted by an air of promise unfulfilled at that point, but it was after that bruising Champions League final that he really came back into his own.

As if reinvigorated by his thump-and-dink double past Jerzy Dudek – even if Milan’s legendary defence had somehow contrived to blow the lead he had gifted them – he returned to Chelsea with a point to prove, and was given the space to do so by a more receptive Mourinho.


It was then that Crespo sealed his status as a cult hero among Chelsea fans, with his elegant interplay, incisive attacking and smattering of goals helping to deliver another title.



Back in Italy, Crespo won three back-to-back titles under Roberto Mancini and then Mourinho at Inter.

He never matched his goal tallies from his vintage years at Parma and Lazio, but the sight of his long mop of hair billowing in the wind as he celebrated was nonetheless a staple of Serie A again.


If he had once been the most expensive player in the world on account of his inspired artistry as a striker, he was arguably more valuable in his later years; a priceless talisman even as he aged and turned from gold into quicksilver.


He no longer commanded a world record fee, but he brought joy and silverware wherever he went, a reminder of how hard it is to put an accurate price on genius.


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